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Jacques Mesnil
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Jean-Jacques Dwelshauvers, who went by the name of Jacques Mesnil (9 July 1872, – 14 November 1940, Montmaur-en-Diois) was a , , and .


Biography

1872–1918
Dwelshauvers' father was a high official for the city of Brussels Rutten (Weisberger and Rutten), p.88. and his mother frequented intellectual society. He studied at the grammar school in Brussels, where he befriended . He later attended the University of Brussels, where he studied medicine and the classics.

In 1894, he published a history of art under the name "J. Mesnil". That same year saw great turmoil over the appointment of Élisée Reclus, an anarchist and former , to a geography chair at the university. Meanwhile, Mesnil had already left for Italy where he continued his medical studies in and came into contact with . Van Istendael, p.425.

Mesnil contributed to the periodical Van Nu en Straks. He was such an avid supporter of "" that he broke off his friendship with Vermeylen when the latter married in 1897. De Backer and De Smaele, p. 18. A later dispute over the licentiousness of an article that Mesnil submitted to the journal led to a further breakup and, eventually, the end of the journal.

He returned to Italy to receive his medical degree, but never practiced. He remained in , pursuing historical studies. While there, he met his future wife Clara Koettlitz (a colleague of Reclus) and befriended .

In 1906, he settled in France, where he pursued his research on art history and became a friend of . In 1914, shocked by the invasion of Belgium and what he saw as the defection of many and anarchists to the Union Sacrée, he became a contributor to L'Humanité and later expressed his admiration for the Russian Revolution.

(1984). 9782130384465, L'Age d'Homme. .


1918–1940
After the war, he became increasingly involved in activities, joining the French Section of the Workers' International. In 1921, he went to Moscow to attend the third meeting of the , where he met . Nevertheless, he remained at odds with the dictatorship and was especially disturbed by the Kronstadt rebellion and its aftermath. He eventually drifted away from Bolshevism and became associated with the movement of .

For many years, he labored to produce a book that would cover all of Tuscan history during the time of . It was eventually completed and published in 1938 and is now considered to be the definitive work on that artist and period.

When the invaded France, Mesnil fled to a monastery to seek refuge. There, in the words of , he "died as a refugee...on a bed of straw". His death came almost exactly a year after the death of his wife, Clara, and it is unclear whether he died a natural death or committed suicide.


Selected writings
  • L'éducation des peintres florentins au XVe siècle, Revue des Idées, 15 September 1910, p. 195-206.
  • L'art au nord et au sud des Alpes à l'époque de la Renaissance : études comparatives, Brussels, G. van Oest et cie., 1911. Reprinted by BiblioLife (2009)
  • Italie du Nord: , , , , Emilia, , Paris, Hachette, 1916.
  • et les débuts de la renaissance, La Haye, M. Nijhoff, 1927.
  • , Berkeley Heights, NJ, Printed Privately by the Oriole Pr., 1934 (Excerpted from, Ishill, Joseph. Free Vistas: an Anthology of Life & Letters. vol. 1. Berkeley Heights, NJ, Oriole Press, 1933).
  • Botticelli, , A. Michel, 1938.
  • , Paris, Les Éditions Braun, 1943?.


See also
  • Georges Dwelshauvers


Sources cited

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